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Psycho
Year:
1960
Country:
USA
Genre:
Thriller, Mystery, Horror
IMDB rating:
8.6
Director:
Alfred Hitchcock
Anthony Perkins as Norman Bates
Vera Miles as Lila Crane
John Gavin as Sam Loomis
Martin Balsam as Milton Arbogast
John McIntire as Deputy Sheriff Al Chambers
Simon Oakland as Dr. Fred Richmond
Vaughn Taylor as George Lowery
Frank Albertson as Tom Cassidy
Lurene Tuttle as Mrs. Chambers
Patricia Hitchcock as Caroline
John Anderson as California Charlie
Mort Mills as Highway Patrol Officer
Storyline: Phoenix officeworker Marion Crane is fed up with the way life has treated her. She has to meet her lover Sam in lunch breaks and they cannot get married because Sam has to give most of his money away in alimony. One Friday Marion is trusted to bank $40,000 by her employer. Seeing the opportunity to take the money and start a new life, Marion leaves town and heads towards Sam's California store. Tired after the long drive and caught in a storm, she gets off the main highway and pulls into The Bates Motel. The motel is managed by a quiet young man called Norman who seems to be dominated by his mother.
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iPhone 480x270 px 569 Mb xvid 600 Kbps mov Download
Reviews
pure timeless brilliance, this is more than a classic horror film
This film will never be outdated. It's a perfect example of the art of shocking and disturbing an audience without ever having to resort to graphic violence and gore. Excellent atmosphere, superbly talented actors, and a brilliantly demented storyline -- those easily add up to an entertaining movie night no matter how many times you have watched it in the past. You know all the lines, you know the ending, but you're still pulled in from the first second to the end credits every single time. It's a rare film that accomplishes this with such a massive audience.

This film deserved better sequels and it definitely didn't deserve the terrible late 1990s remake, but the merit in this first installment actually helps all of those to hold up better than they otherwise would.

Absolutely timeless, and SO much more than just a classic! :)
2005-01-29
You'll be frightened every time you use a motel shower.
This is one of the most stunning movies my eyes have ever gazed upon. Anthony Perkins was electric in his performance as a deranged motel owner. I feel the direction was quite magnificent. I was amazed every time the camara pointed up the path to view the house on the hill where Norman Bates lived. The suspense was immense, at the beginning where Janet Leigh is about to steal the money and then sees her boss when she's leaving town to what would be a terrifying death. Movies this good are very rare and if you don't own a copy then I advise you get one as you can watch it over and over again.
2000-02-21
OG horror
Alfred Hitchcock's Psycho is a god tier horror movie and I'd say its probably the best example of classic horror. The story has at this point been told and remixed 1000 different ways over the years but because of Alfred's understanding of human fear and his incredible skill as a director no other film maker can come close to creating as captivating of a psychopath as the infamous Norman Bates (Anthony Perkins). I love the symbolism in the very last scene where Norman sits alone in the chair and claims he'd never hurt a fly. Very clever and unorthodox camera angles keep the viewer on the edge of their seat while watching this film especially during the scenes where Norman attacks his victims and the famous shrieking sound effect begins to play. If you have never seen this movie and enjoy horror movies it is definitely worth watching. Even though compared to current film it may seem dated because of the lack of special effects and computer animation the rawness and great use of music and sound effects by Hitchcock make this slasher flick stand the test of time.
2013-04-02
One of the best horror movies I have seen.
Let's face it, Alfred Hitchcock was a genius! He managed to capture the true demented character of Norman Bates. In the 90's Psycho does not seem to be one of the scariest movies around. But the way Hitchock managed the lighting and camera angles, made it so obvious why this movie became such a hit. I just saw this movie a few months ago, and even then, everyone I watched it with seemed delighted to scream again at the geinius of Alfred Hitchcock.
1999-05-18
One of the best horror films of all time. **** out of ****
PSYCHO (1960) ****

Starring: Anthony Perkins, Vera Miles, John Gavin, Martin Balsam, Janet Leigh, and John McIntire Director: Alfred Hitchcock Running time: 109 minutes Rated R (for scenes of strong violence)

By Blake French:

Alfred Hitchcock is easily one of the most acclaimed directors in film history--right up there with Stanley Kubrick and Steven Speilberg. His films defined horror for generations, especially with what many people are still calling the scariest movie of all time: "Psycho." Over the years, the movie has been given much praise. It has had the honor to be placed in the American Film Institute's best 100 movies of all time list. The film has had the privilege to be re-created in 1998 by great director Gus Van Sant, who also added new actors and coloration to this classic tale. "Psycho" also has had the fortunate pleasure to have been followed up by several time-lapsing sequels, although not equal in quality, which continued the story and characters beyond the original film's restrictions. On top of all this, the movie has a unique story line, unusual characters, imagination-provoking motives, and manages to conduct its rare structure like no other film. "Psycho" is one of the better thrillers of our time.

First lets take a look at the unique but perfectly organized structure of this classic horror tale. It beholds what I call a false first act. The first act opens by introducing a character named Marion Crane, sister of Lila Crane, who steals $40, 000 from her employer one day and is in the process of leaving town when her situation is complicated even more. Marion is pulled over by a mysterious police man, who checks out the circumstances, and then allows her to continue on with her journey. He then follows her many miles to a car dealer, where Marion cleverly trades her current car in for a used junkie to camouflage herself from peering foes. Marion then continues to drive along the busy highway until a shielding rainstorm persuades her to stop to rest at The Bates Motel. (spoilers ahead) Then she meets the owner, Norman Bates, who explains to her that his mother is a lunatic. Marion then goes to her cabin where she is stabbed to death in the shower by an unknown predator who looks like an old woman.

Extraordinary, a simply flawless false first act. The movie introduces a character, a problem, and complicates it for the character involved. Then the conclusion (the murder of Marion) solves the first initial problem, throwing us off balance. While we recover, the filmmakers open a brand new series of events, this time detailing the missing Marion Crane. A detective, Milton Arbogast, who tries to investigate Norman's mother, is also killed in the process of doing so. Lila's investigation of her own evolves the second act problems, all winding towards the same awe-inspiring denouement, which I will not have the audacity to reveal to you.

Now for some nice pointers for "Psycho": The opening scene develops Marion Crane's romantic characteristics as well as her personal morals. The scene in which Marion decides to commit theft is never explained to us through dialogue like many lesser films would do, but through Marion's complex stares at the cash and her reactions to it. The police officer's behavior is a whole plot in itself, and since the character's point of view is so focused, we know nothing more about this suspicious man than Crane herself. The Atmosphere of the Bates Motel is one of the creepiest moods I have ever experienced in the movies. Not to mention the famous shower scene, certainly the most shocking and grisly slasher moment of all time. The investigation of Marion's disappearance has a specific odyssey to it--intriguing and unsatisfying. All these minor elements contribute to making "Psycho" the most talked about films ever.

There is a small, but quite noticeable, opinion flaw in the last ten minutes of "Psycho," however. It is the scene where the detective explains the disturbing behavior of Norman Bates to the film's remaining characters, but also to the audience. This scene has never been necessary. The picture would have ended with much more controversy and fantasy if the writers would have left the strangeness of Norman to the imagination rather than explaining elements to us, not to mention the fact that all answers are revealed in the many sequels. I think it would have been interesting to see what happened if Gus Van Sant would have left that sequence out of his re-make, after all, he added a lustful masturbation scene, so why couldn't he have taken out some unneeded material as well. Oh well, I guess, until another actor attempts to master the terror found in the eyes of Anthony Perkins, we'll just have to juggle around these ideas in our minds of how this near-perfect movie could have been better. Don't you love it when movie's make you do that!

Brought to you by Paramount Pictures and Universal Pictures.

1999-10-27
A True Classic.
I feel that this movie is superior to Alfred Hitchcock's other films and that it, rather than "Vertigo", should be considered his masterpiece. Even though it was shot on a small budget, its suspense, thanks to Hitchcock's direction, Tomasini's flawless editing, and Bernard Herrmann's still holds up on multiple viewings. Also important to the film is solid acting from Anthony Perkins, Janet Leigh, Vera Miles and Martin Balsam and John L. Russell's constantly under-rated photography.
2000-02-06
One of the best movies ever made!
**Please excuse me for some spelling mistakes**

This is the BEST HORROR/THRILLER/SCARY MOVIE IN THE WORLD! I just love this movie! Since I am a true movielover I do not mind that it is in black and white at all. The actors were great and still today it is a bit creepy when the thievish Marion Crane chooses the wrong place to spend the night on (and the wrong shower, ha ha ha). Perkins is SO perfect as Norman Bates and the voice of mother really made me shiver. The movie is filled with classic lines that I won't forget even if I'll isolate myself for 20 years. For those who can't stand old movies, or are'nt any real movielovers this will be a sleeping pill. But for us with a good taste it will be a very good experience. Don't get me wrong, i mean ''The Blair Witch project'' for example is scarier than ''Psycho'' but ''Psycho'' is creepier and better than any other thriller!

Watch out for the remake from 1998, it really sucks!!!!!!

10 out of 10 OF COURSE!!!!!!!!
1999-10-24
Hitchcock did it all in this one.
When Psycho came out, the horror industry of movies was merely monsters, zombies, werewolves, and vampires. So when Psycho hit screens, the audience was finally introduced to psychological thrillers. It hit with such a huge bang that the audience was shocked...with fear and suspense. Psycho created what the thriller genre is today. It sliced through clique monster movies and changed it forever. Still today when you look at Norman Bates and his extremely freaky look when you see him watching the inspector's car sinking into the swamp sends chills down my spine. And when Marion Crane met her bloody demise in the middle of the movie, Hitchcock proved to everyone that this movie is different, different from every other movie you have ever seen. The cinematography in this movie is fabulous, the music is marvelously freaky, the acting is magnificent, the story is exceptional, and everything else about the movie is great. Too bad the sequels and the new remake was complete trash.
2000-01-19
Masterpiece
A masterpiece. The ultimate thriller, and the movie that created the template for slasher-horror movies.

Solid plot, but the genius behind this is Alfred Hitchcock's direction. Hitchcock builds the tension and constantly keeps you on your toes. His use of camera angles is superb. This, all while keeping the movie moving along at a brisk pace. At no stage does it drift, or get bogged down.

Hitchcock is aided by some excellent performances. Anthony Perkins is calculating menace personified as Norman Bates. Janet Leigh shines and deserved her Oscar nomination.

Truly a classic, and one of the greatest movies of all time.
2014-04-19
Hitchcock At His Very Best
Psycho is the all time greatest movie ever made in movie making history. It has this special style that could only be achieved through the eyes of Alfred Hitchcock and the excellent actors in the film. There is this mysteriousness that presides over the movie, and that is what adds to the overall feeling from Psycho. Hitchcock's eye for great suspense really does the trick for this movie. He also chose to go Black and White in this movie, instead of color for his own stylistic purposes (and to hide the redness of...yeah.) The B&W really makes the movie more "scary". No one can forget the Bates Motel or the mysterious house on the hill behind it with "that person" in the window. Anthony Perkins as Norman Bates also has his best performance of his career in this movie, bringing the character of Norman Bates to life. Even 40 years later, no movie is able to stand up to Psycho or make a larger impact on world culture. Truly the best movie of all time, definitely a 10/10.
2001-02-26
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