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Bottom of the World
USA, Canada
Drama, Thriller, Mystery
Richard Sears
Ted Levine as The Preacher
Jonathan David Dixon as El Rancho Bartender
Kevin Owen McDonald as Hooded Man
Timothy Nolen as Hotel Clerk
Paul Needham as Paramedic 1
Ralph Alderman as Bar Customer
Tamara Duarte as Paige
Kelly Pendygraft as Café Waitress
Mark Sivertsen as State Trooper
Victor Cornfoot as Evangelist
Jon McLaren as Jeremy
Jena Malone as Scarlett
Storyline: A mysterious disappearance of a young woman leads her boyfriend on a journey for truth and perhaps his own unknown reality in this dark, hypnotic mystery that transcends the limitations of traditional narrative.
Type Resolution File Size Codec Bitrate Format
720p 1280x510 px 2717 Mb h264 4509 Kbps mkv Download
HQ DVD-rip 720x288 px 1341 Mb mpeg4 2225 Kbps avi Download
DVD-rip 640x272 px 699 Mb mpeg4 1159 Kbps avi Download
Bottom of the World is just alright.
I hate long drawn out reviews, so i will make mine short and sweet. The movie isn't going to win an Oscar, hell if you are impaired it might keep you attention. It is just OK that is it. In my opinion if you are trying to find a good movie, something that made you say wow. This isn't it

Spoiler and my interpretation. She obviously killed herself, hence the pill bottles at the end scene. So we didn't even know who scarlett was until Alex woke up back in the real world not the hotel, that was scarletts real life. She was an alcoholic trying to kill the memories of her childhood and the torture and murder she committed against her cousin. Alex was just merely a face. He was her next door neighbor who scarlett had a fantasy about. So while she is dying from an OD her mind is seeing her with him. This is why Alex half way through the movie says to his wife," we are all just her dream, if she dies we do too." So she kills herself and is basically in purgatory and wants to die that's why she asks him to kill her and as he is burying her , his face changes.
Lost in the Neo-Noir challenge of it all -
Bottom of the World is a wonderful intellectual challenge. I've seen it some four times now, and am only starting to grasp what's actually told in the movie. It is a non-linear movie, so be prepared. The key to it all is the subconscious. Look for the clues and it begins to make sense. Look for my full review on my blog.
Incredible movie, instantly one of my favorite films of all time.
I had the pleasure of finding this movie on Netflix and watched it because I was extremely intrigued by the unique title and the interesting poster attached. I loved this film so much I actually made an IMDb account to leave this review. This movie came to me at the right time. It seems to me the producers have been doing the same sort of esoteric research I have been because I could follow the plot with no problems at all from the beginning.

The movie is atmospheric, colorful, creepy and haunting, everything you could want from a visceral indie film. The movie is clearly a mixture between some real life truths mixed in with a plot device first introduced by the Twilight Zone episode "Stopover In A Quiet Town". If you had trouble following the plot of the story, watch "Stopover In A Quiet Town" and you will understand it a lot more. The acting is ,at velour, particularly from the striking male lead who carries the progression of the film largely on his back alone. If this were more popular I would love to see this film nominated for an Oscar, but there's no way this little engine that could would be given a fair shot.

Now for those who watched the movie but were unable to enjoy it because they couldn't understand the plot: Spoiler alert.

Its a simulation matrix. A large part of the first half of the film takes place in a parallel universe, or an offshoot tangent. The original universe was the one where Scarlett messed around with the paraplegic. He eventually died because of her actions, and she feels no remorse. The paraplegic in this original universe is actually Alex. You can think of it as his soul. When he died, that universe ended and their souls were brought into this alternate parallel universe to interact again. This time they are young lovers. But it is Alex's destiny to kill Scarlett in retribution for what she did, and in doing so, free her soul. The masked man Alex sees from the hotel is actually him, again, from a different parallel universe. This version of Alex has managed to somehow cross dimensions to interact with his other selves, whom he reveals the nature of their reality to. Every time Alex dies in a universe, he wakes up in an alternate parallel universe playing different roles, but always destined to interact with Scarlett, until he finally does the deed and kills her, thus freeing them both from the simulation matrix.

The fact that the entire movie takes place in parallel dimensions/a simulation is hinted at all throughout the movie. They can't leave the small town to go to LA, possibly because LA doesn't really exist since they are destined to stay at the small town. That's why Scarlett feels "crushed" whenever they try to leave. The strange motel they check into is actually on the same location as where Scarlett tortured & killed the paraplegic, hence it is where their souls must dwell until they leave the matrix. The house Alex wakes up in after the pastor shoots him is ALSO in the same location as the strange motel, its just in an alternate dimension. The masked man (who is actually Alex from a parallel dimension" mentions "cities of pain buried underneath the ground" aka the different layers of each dimension all built on top of one another on the same place. The pastor tells Alex that it's true he is in a dream, but Scarlett's dream, then shoots him. This is true and proves a point: Alex can die a million times over, and the end result is that he will just keep waking up in a different dimension. He will only be released when he kills Scarlett, thus freeing them both from her sin. Its her loop, not his.

Its truly an incredible film. If you didn't "get it" the first time, watch it again.
Surrealism, Nicely Done.
It would be a cop out to call this movie 'Lynchian' even though it does have some similarities to 'Lost Highway'. "Bottom of the World' is a well written and well crafted work of surrealism in the form a mystery. The mood is set early on and maintained throughout and for as 'out there' as it gets it has a ending that makes perfect sense and is satisfying. This movie deserves a much higher score than it's being given. Hollywood has dumbed down audiences so much that they are ill equipped to react with anything but anger to any movie that challenges them to think. If you like movies by David Lynch, Ingmar Bergman and Fellini and Ryan Gosling's directorial debut 'Lost River', I would say you should check this out. I don't think the haters will ever get it so I wish they would just not watch it instead of trashing it with their rating. I give this movie a solid 8 but to up the average I added a point. There needs to be more movies like this.
The weight of guilt cannot be underestimated
A complex puzzle about karma coming back and striking an individual after committing a sin. Redemption is never easy. My theory is that Scarlet imagines a world in which her victim survived while she's stuck in purgatory. I enjoyed the clues that are given along the way that hint at a non- reality. Watch closely or go back to see. This is ultimately Scarlet's manifestation brought upon by guilt/redemption. A different take on Heaven and Hell. This should be a MUST VIEW for anyone studying theology/religion.
Bottom of the IMDb ratings
So here we have of what I think was an attempt to make a cult type film.

But what we end up with after watching only 40 mins of Bottom Of The World is the bottom of the IMDb ratings for another mess.

There may have been some potential here, but the girl was just annoying as the flashbacks that didn't make any sense.

Then this shady character who needs a new ski mask and some vocal coaching shows up and then it went even more downhill from there.

I'm guessing this was a religious type film from the constant church crosses and preacher on the TV all the time (I was begging for the actors to change the channel he was so annoying, but no success).

Seriously, don't waste your time... I couldn't get past the desert scene (approx 30-40 mins in?) before I said "enough of this garbage".
Bad attempt at Lynch tropes by someone who doesn't understand Lynch
This is a movie that offers an assortment of David Lynch trademarks, in service of a story that's all surface and has none of the pervasive worldview - the perspective - of a David Lynch film. It reads as homage, I guess, but aside from the flattery of imitation it has nothing to offer.

Elements of Lost Highway, Blue Velvet, Wild at Heart are pretty obvious. There's even a lamp with a red shade.

I guess if, like the filmmakers, you enjoy Lynch and have no idea why, you might like this. But if you like substance with your knockoff style, move along.
My theory ----
Here's what I took: The anecdote of her cousin Wayne that she tells in the beginning is true. At first I wrote the story off as a simple and needless tale based used for shock value (poor writing), but it's so over the top and grotesque that as a viewer, it's so ridiculous that you don't want to believe it, or even regard it as a necessary bit of information because she tells it as a fake story to make Alex squirm. So you forget about it, because at this point, Scarlett is depicted as facetious and maybe a bit unstable. Jumping to the end, you find out that she really committed the heinous acts that she describes in the beginning. Alex is a part of her subconscious, the fact that he has developed sentience within her own delusion is a deeper part of her subconscious that is condemning her as she is unable to process her own guilt (EG her heavy alcoholism). It's a very interesting way to tell a story, as she takes the backseat in the focal point of the story that is 100% in her own head. Now whether she is "delusional", or there are actual spiritual forces at work within the two realms of Alex's initial reality, and the second one where he is her neighbor is sort of up to interpretation. Notice the scene where Paige, (Alex's wife) is counting peas in the kitchen, and it immediately swaps to her holding a glass of milk, as if it's a glitch, this is a tell that he is not in the realm of true reality when they knew each other, or when they're neighbors. Alex is the embodiment of her guilt and shame and also the judgement of maybe a supernatural entity, so he isn't necessarily a person, more of a shifting presence. Alex never existed, she conjured him up.
Surprising little gem of a film . . .
I was a little bit skeptical going in, but thought it might be worth a watch just to see Jena Malone do her thing here.

More than a bit surprised, this was a clever puzzle wrapped in an enigma that requires more than a bit of attention paid to subtle details sprinkled into what seems to be a jagged form of editing, but is remarkably well resolved in the end. Jena definitely delivers what may be her best character study yet, but that's not to take away from Douglas Smith, who did an equally plausible job portraying a young guy caught up in a seemingly impossible situation.

I simply can't reveal what that "seemingly impossible situation" actually is, in that would be an obvious spoiler, but to discover just how far out that resolution is, you're just going to have to watch for yourself. Trust me on this one, it's worth the wait to find out.

Along the way in this uniquely twisted adventure are all sorts of quirky characters, which at first glance might seem to be absurdly overdone cliché' character concept representations, until the actual context becomes more apparent. Then it all begins to make sense . . . sort of . . . until the very end.

For some, this might take a bit of patience. There are moments which seem bizarrely out of context, or just don't seem to fit into what appears to be the story of the moment. But that's the key here. Time can be a fluid medium, depending on where one might happen to be in a yet to be fully defined version of reality.

Having said that, there were some clumsy moments where the editing definitely could have fit together better, or scenes that appear to be more than a bit rough around the edges, but the given the uniquely original story and how it's told, a certain amount of forgiveness can be granted for such imperfections.

Maybe not the best, but certainly not the worst of such attempts at this sort of genre'.

A solid seven stars for me . . .
Doesn't make any sense
Like another reviewer said it's not for everyone. He couldn't be more right. It's not for everyone, especially not for me. I love mysteries that you have to try to solve before the end of the movie. But here it isn't a mystery. Or maybe it is but I honestly couldn't be bothered knowing what it is. The beginning is promising but then it's all going downhill. The story doesn't make much sense, and maybe for somebody that like to think a lot when he's watching a movie it does make sense. I'm not one of those. I like stories with a beginning, a middle and an end, easy stories to follow. Movies like this one are just a waste of time and money to me. The actors are not bad, the story is though. There is not much more to say about Bottom Of The World.
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